Verse 1
A D
Overnight scenes, dinner and wine, Saturday girls
A D
I was never in love never had the time in my hustle and hurry world
Bm E C#m F#m
Laughing myself to sleep, waking up lonely
D A E
I needed someone to hold me oh whoa ohh
A D
It's such a crazy old town, it can drag you down til you run out of dreams
A D
So you party all night to the music and lights but you don't know what
happiness
means
Bm E C#m F#m
I was dancing in the dark with strangers, no love around me
D A E
When suddenly you found me, oh whoa ohh
CHORUS (A/Ab means A chord over a Ab bass note):
A A E E A A/Ab D
Girl you're every woman in the world to me
Bm D E
You're my fantasy You're my reality
E A A/Ab D
Girl you're every woman in the world to me
Bm C#sus4 C#
You're everything I need; you're everything to me
F#
Oh girl
Verse 2
A# D#
Everything good, everything fine, that's what you are
A# D#
So put your hand in mind and together we'll climb as high as the highest star
Cm F Dm Gm
I'm living a lifetime in every minute that we're together
D# A# F(2)
And I'm stayin' right here forever oh whoa ohh
CHORUS 2
A# A# F2 F2 A# A#/A D#
Girl you're every woman in the world to me
Cm D# F
You're my fantasy You're my reality
F A# A#/A D#
Girl you're every woman in the world to me
Cm Dsus4 D
You're everything I need; you're everything to me
G
Oh girl
Up another half step!
|
v
E --------------------------------------------------------------
B --------8-8-------8-8------8----7-8-8--------- 9-9--11-12--14-
G ----7-h9-----7-h9-----7-h9----9----------9-h11----------------
D --------------------------------------------------------------
A --------------------------------------------------------------
E --------------------------------------------------------------
CHORUS 3
B B B/Bb E
Girl you're every woman in the world to me
C#m E F#
You're my fantasy You're my reality
F# B B/Bb E
Girl you're every woman in the world to me
C#m E F#
You're everything I need; you're everything to me
REPEAT CHORUS 3 AND FADE (THANKFULLY)
** You must learn this using barre chords because of the song's constant upward-
spiraling key changes; a barre chord guide is provided **
h = hammer-on
p = pull-off
(^#) = bend up to this number fret's pitch on the number listed
That Opening Lick--This might be a little uncomfortable when it sounds most
interesting, but it makes sense and feels more natural after a few plays.
Composição de Dominic King, Frank John Musker