Sally GoodinTablatura

Traditional

I have TABbed the melody as if it were played in G. The accompaniment 
is in A, though, so you'll have to capo at the second fret to make the 
melody work with the accompaniment. It's in 2/4. So each '|' above the 
staff represents an eighth note. 
 
 
Sally Goodin (traditional) 
arr. Jim Wood, TAB by Bo Parker bo_parker@fbpmac.msfc.nasa.gov 
 
Melody:  
(Don't worry about the chord symbols - fingerings are given below. 
D#o7 means D# diminished 7th.) 
 
  A       A9/C#     D       D#o7      A       A#o7      Bm7     E7 
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |    
|-----------------|-----------------|-----------------|-----------------| 
|---0---0---------|---0-------------|---0---0---------|-----------------| 
|-0---2---0---0-0-|-0---2-0---0-0-0-|-0---2---0-2-0---|-----------0-0-0-| 
|-----------------|---------2-------|---------------2-|-0---0-0-2-------| 
|-----------------|-----------------|-----------------|-----------------| 
|-----------------|-----------------|-----------------|-----------------| 
| 
  A       A9/C#     D       D#o7      E7      F#m       E7/G#   A 
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |    
|-----------------|-----------------|-----------------|-----------------| 
|---0---0---------|---0-------------|---0---0---------|-----------------| 
|-0---2---0---0-0-|-0---2-0---0-0-0-|-0---2---0-2-0---|-----------0-0-0-| 
|-----------------|---------2-------|---------------2-|-0---0-0-2-------| 
|-----------------|-----------------|-----------------|-----------------| 
|-----------------|-----------------|-----------------|-----------------| 
 
  A       A7/G      D/F#    Dm/F      A/E     D#o7      E7/D    E7/B 
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |    
|-----------------|---3-0-----------|---3-0-----------|-----------------| 
|-----0-1-3---3-3-|-3-----3-0-3-3-3-|-3-----3-0-------|-----------------| 
|-0-2-------------|-----------------|-----------2-0---|-----------0-0-0-| 
|-----------------|-----------------|---------------2-|-0---0-0-2-------| 
|-----------------|-----------------|-----------------|-----------------| 
|-----------------|-----------------|-----------------|-----------------| 
 
  A       A9/C#     D       D#o7      E7      E7/B      E7/G#       A 
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |    
|-----------------|---3-0-----------|---3-0-----------|-----------------| 
|-----0-1-3---3-3-|-3-----3-0-3-3-3-|-3-----3-0-------|-----------------| 
|-0-2-------------|-----------------|-----------2-0---|-----------0-0-0-| 
|-----------------|-----------------|---------------2-|-0---0-0-2-------| 
|-----------------|-----------------|-----------------|-----------------| 
|-----------------|-----------------|-----------------|-----------------| 
 
 
OK - now the accompaniment. Note the nice walking bass lines. The 
whole thing is done bass-strum, bass-strum, etc. 
 
  A       A9/C#     D       D#o7      A       A#o7      Bm7     E7 
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |    
|-----------------|-----2-------2---|-----------------|-----2-------0---| 
|-----2-------5---|-----3-------1---|-----2-------2---|-----3-------0---| 
|-----2-------4---|-----2-------2---|-----2-------0---|-----2-------1---| 
|-----2-------5---|-0-------1-------|-----2-------2---|----(0)------0---| 
|-0-------4-------|-----------------|-0-------1-------|-2-----------2---| 
|-----------------|-----------------|-----------------|---------0-------| 
 
  A       A9/C#     D       D#o7      E7      F#m       E7/G#   A  
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |    
|-----------------|-----2-------2---|-----3-------5---|-----7-------5---| 
|-----2-------5---|-----3-------1---|-----3-------5---|-----5-------5---| 
|-----2-------4---|-----2-------2---|-----4-------6---|-----7-------6---| 
|-----2-------5---|-0-------1-------|-2-------4-------|-6-------7-------| 
|-0-------4-------|-----------------|-----------------|-----------------| 
|-----------------|-----------------|-----------------|-----------------| 
 
  A       A7/G      D/F#    Dm/F      A/E     D#o7      E7/D    E7/B 
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |    
|-----5-------5---|-----------------|-----------------|-------------0---| 
|-----5-------5---|-----7-------6---|-----5-------7---|-----5-------0---| 
|-----6-------6---|-----7-------7---|-----6-------5---|-----4-------1---| 
|-7-------5-------|-----7-------7---|-----7-------7---|-----6-------0---| 
|-----------------|-9-------8-------|-7-------6-------|-5-------2-------| 
|-----------------|-----------------|-----------------|-----------------| 
 
  A       A9/C#     D       D#o7      E7      E7/B      E7/G#   A 
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |    
|-----------------|-----2-------2---|-----------------|-----------------| 
|-----2-------5---|-----3-------1---|-----5-------5---|-----3-------2---| 
|-----2-------4---|-----2-------2---|-----7-------7---|-----4-------2---| 
|-----2-------5---|-0-------1-------|-----6-------6---|-----2-------2---| 
|-0-------4-------|-----------------|-7---------------|---------0-------| 
|-----------------|-----------------|---------7-------|-4---------------| 
 
 
Enjoy! 
 
See ya 
 
-Bo Parker 
bo_parker@fbpmac.msfc.nasa.gov 
 
I do not speak for my employer, whoever that is. 
 
``Squid eating dough in a polyethylene bag is fast & bulbous.'' 
``Got me?'' 
 
 

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